CJ Ramone, Mean Jeans
DJ Sid Presley
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What we love during our youth often loses its power as we age. It’s understandable and expected, especially if the thing you loved—making music—was also your job for a long time.
CJ Ramone made his name as a member of the greatest punk band of all time, and nearly 25 years after that experience, it’d be understandable if Ramone now spent his days resting on his legacy and tsk-tsking the state of punk rock. But The Holy Spell…, Ramone’s new solo album out May 10 on Fat Wreck Chords, joyfully celebrates his undiminished love of music. It’s right there in the title.
“I never lost that magical feeling that you get from music, and that’s where the title came in,” he says. “The bands that I listened to when I was young that I really enjoyed, I can still put that music on now, and it still has the same magic for me.”
Full of fist-pumping punk—but not limited to it—The Holy Spell… pays tribute to that magic in a variety of ways. Notably, a pair of sly covers hearken back to Ramone’s childhood: He would hear Dave Edmunds’ “Crawling from the Wreckage” on the portable radio he played in bed at night, and Webb Pierce’s 1953 hit “There Stands the Glass” recalls his parents’ love for classic country.
Those songs get revitalized here, which is also how Ramone, guitarist Dan Root, multi-instrumentalist Nate Sander, and drummer Pete Sosa, sound on The Holy Spell… With producer Paul Miner (Death By Stereo, New Found Glory, H20, Adolescents) again at the helm, The Holy Spell… is a surprisingly nuanced release from a punk lifer.
The album’s first half, kicked off by “One High One Low,” continues the hook-laden pop punk that fans expect from the Ramone name. But check out the country-tinged “Hands of Mine” around the halfway point, the SoCal pop bubbling up through “Movin’ On” and “Postcard from Heaven,” and the feeling of closer “Rock On.” A farewell to Ramone’s longtime collaborator and friend Steve Soto of the Adolescents, it’s a fist-in-the-air tribute that says “rock on” without a trace of irony.
“Steve really has a lot to do with where I am now, and every record, Steve was right there with me,” Ramone says. “He is completely irreplaceable. I owe Steve a lot. It’s definitely strange going on without him, but even though he’s not on the record, a lot of what we learned from Steve is still on the record.”
The Holy Spell… is Ramone’s first album since 2017’s American Beauty, which PunkNews hailed for “keeping the Ramones sound fresh,” while AllMusic raved that Ramone is “not just copying the band’s old glories, but giving their legacy a fresh dose of energy and a different perspective.”
Since forming in 2006, MEAN JEANS have become one of the better-known bands of the Pacific Northwest punk scene for their chaotic but relentless attack, raucous live shows, and fierce commitment to the art of partying. Fat Wreck finally got their paws on the threesome in 2016 for their much anticipated third album Tight New Dimension. As those familiar with the band know, these guys’ hands refuse to stay idle.
Following the release of their latest album, Mean Jeans went right back to work, but on something a little different this time around... Jingles Collection is a collection of, well, Jingles! The band tackle everything from “Mountain Dew,” to “Coors Light,” “Dunkaroos, ”“Pop Rocks;” and even give “180069SHRED” some love. These 23 tracks (most of which clocking in at under a minute) give fans of the band everything they’ve come to expect from these guys: Garage style rock n’ roll, with all the hooks, energy, and humor you can handle.